Rising sea levels in literature

Time to release my files, to offer transparency on documentation I’ve held onto, some of it for a very long time. First up: the “Roses are red…”quips written by a childhood friend on the back of a card which reads “Learn to complain without suffering.” This appealing take-off on the self-help industry was ahead of its time. As young girls we were amused by the messages on both sides of the cardboard. As an adult, I acknowledge that some cardboard should stay, but some should go.

Papers from my archive that can and should be recycled include blow by blow accounts of family feuds; detailed daily logs from offices, church organizations and sports clubs; Christmas newsletters containing hyperbolic reports of the achievements of one family; Certain love letters; Copies of third-time reminders of subscription cancellations; Photocopies of an article from a South Florida newspaper describing ´Floribbean´ cuisine from the ´mango gang.´ After all:
There are only four years to go before celebrating the fiftieth anniversary of the publication of Julio Cortázar’s Cronopios and Famas (Historias de Cronopios y de Famas), a work addressing a number of socio-cultural concerns as relevant today as they were in 1962. Nonsense, you say, this literature of the absurd pokes fun at human foibles, but nothing is intended for serious reading. The author himself said he wrote the book for fun, but for many readers, this kind of fun can only be appreciated by those who have experienced not-fun or extreme discomfort. Cortazar’s commitment to the written word was experimental, intimate and irreverent. The texts in Cronopios and Famas are short, a length familiar to those who hoard undesignated jottings from train rides, notes from a seminar or thoughts that pile up during a telephone conversation and have nowhere else to go.

"As the scribes will persist, the few readers there are in the world are going to have to change their roles and become scribes themselves. More and more countries will be made up of scribes, and more and more factories will be necessary to manufacture paper and ink, the scribes by day and the machines by night to print the scribes’ work. First the libraries will overflow the houses, then the municipalities decide (now we´re really into it) to sacrifice their children´s playgrounds to enlarge the libraries. Then the theaters will go, then the maternity homes, slaughterhouses, bars, hospitals. The poor use the books like bricks, they stick them together with cement and build walls of books and live in cabins of books. Then it happens that the books clear the cities and invade the countryside, they go on flattening wheatfield and meadows of sunflowers, even though the Department of Highways manages to keep the roads cleared, even if only between two extremely high walls of books. At times a wall gives and there are terrifying automobile accidents. The scribes labor without let because humanity respects vocations, and the printed matter reaches the seashore. The President of the Republic gets on the telephone with the presidents of the republics, and intelligently proposes to cast the leftover books into the sea, which act is accomplished simultaneously on every coast in the world. Thus the Siberian scribes see their works cast into a sea of ice and the Indonesian scribes etc. This allows the scribes to step up their production as the earth again has space to store their books. It does not occur to them that the sea has a bottom and that at the bottom of the sea the printed matter is beginning to pile up, first in the form of a sticky pulp, then in the form of a solid pulp, and finally a tough though viscous flooring which rises several feet a day and will finally reach the surface. Then much of the water invades many of the lands and there is a new distribution of continents and oceans, and presidents of various republics are replaced by lakes and peninsulas, presidents of other republics see immense territories newly open to their ambitions, etc. Sea water, forced to expand with such unprecedented violence, evaporates faster than ever, or seeks rest. Blending itself with the printed matter to make that glutinous pulp, to the point that one day ships´ captains on the great trade routes report that their ships are advancing slowly, thirty knots drops to twenty, to fifteen, the engines sputter and pant and the propellers are wrenched and bent out of shape. Finally the ships stop wherever they are at different places in the sea, trapped by the pulp, and scribes all over the world write thousands of articles and books explaining the phenomenon and are filled with an enormous happiness. The presidents and the captains decide to convert the ships into islands and gambling casinos, the public arrives on foot upon the cardboard seas, and on these islands and casinos dance orchestras fill the night and sweeten the air-conditioned atmosphere and the dancing lasts until the early hours of the morning.. New printed material is piling up on the seashores, but it´s impossible to put it into the pulp, so that walls of printed matter are growing and mountains are being born on the shores of the old seas. The scribes realize that the ink and paper companies are going to go bankrupt, and their handwriting gets smaller and smaller and they use the most imperceptible corners of each sheet of paper. When the ink runs out they write in pencil, etc. When the paper goes, they write on slabs of wood or rock or on stone tiles, etc. The practice of intercalating one text into another begins to become popular, to take advantage of the space between the lines, or to scrape down the letters already printed with razor blades so as to use the paper again. The scribes are working slowly now, but their numbers are so immense that printed matter now separates the land completely from the bed of the ancient seas. On the earth the race of scribes lives precariously, doomed to extinction, and at sea there are the islands and casinos, or rather the ex-transatlantic liners, where the presidents of the republics have fled to refuge and where they hold enormous parties and exchange wireless messages from island to island, president to president, and captain to captain… (´End of the World of the End´, from Cronopios and Famas by Julio Cortázar, 1962.)