Previously on Life Before News:
Not allowed to show you (Pt.1) – May 25, 2007
So far this much is known: Not allowed to show you (Pt.2) – June 5, 2007
From the rough graffiti displayed on January 30 to – by reassuring coincidence - an elegant anarchist cocoon: “Coming soon…” is the full text on the English-language webpage of the Library I entered on the day when the Dalai Lama and Barack Obama appeared together on front pages of newspapers everywhere. If you like that 19th-century polished wood sensation, this Library is a beautiful place, with a reading room seating 24, books locked behind well-cleaned glass, a conference room for public events and the Director’s office still sheltering a pianola (nostalgic and silent in our times; as innovative as the Library and its new collection back in the day), the only visual reminder of the space’s original purpose as a music room, where pianos and sheet music were at the disposal of any visitor who cared to drop in and play a few bars.
On a brief working trip to Barcelona, I had gone in search of a quiet place to read and write. In this city of monumental architecture, an ornate neighborhood retreat on a smaller scale would surely be just around the corner. It was: a library set in the former home of a 19th-century mustachioed left-wing anti-Catholic intellectual and anarchist, a playwright and Freemason, who instructed the trustees of his will to build what would become Barcelona’s first public library (although to this day run by a private foundation), open to all regardless of gender, age or social class and free of censorship on social, political or religious grounds. Any such symbols were banned (everywhere, including the Boardroom), as clearly spelled out in the Library’s very own rule book, a significant stipulation considering that the Library was opened in 1895, on the eve of the Montjuïc Trials, the torture of anarchists by the Spanish military and ensuing decades of bloodshed and violence - a history beyond the scope of this post, but one which is indeed still subject to review and revision as hidden documentation comes to light.
The Library staff agreed that I was free to write anything I want about what appears to be a pearl of an institution, but they issued clear instructions to the effect that - although I had followed proper procedures and obtained permission to take photographs inside through swift composition of a brief handwritten letter explaining my motivation, where I also made it clear that no commercial gain would result from using the photographs I envisioned taking of the abundance of text in view (not only on bookcovers, but inside the glass display cases [carrying paraphernalia from the world of Freemasonry which had survived previous eras of censorship under the dictator who missed the opportunity of destroying this subversive material when he ordered the Library closed rather than ransacked] and within the tiled floor under our feet and the tiled frescos overhead, the latter featuring the names of great scholars and writers in an inspired flow including a sequence which I particularly enjoyed: the moustachioed Edgar Allen Poe*, the tormented early 19th-century Boston-born writer, so popular in Europe, who laid the foundations of the modern thriller, the moustachioed and bearded Confucius*, the Chinese philosopher whose name now adorns the official Institutes of Chinese Culture which are mushrooming in hundreds of towns and universities around the world from Tehran to Texas, from Norway to New Zealand, funded by the Chinese government, a perfectly normal official cultural strategy made all the more interesting if one considers that flaunting Confucius was until relatively recently not done, and, next to him, another author whose work is recited thousands of years after its creation: the moustachioed and bearded [frankly they could all have lost the facial hair and that would have been fine by me] Valmiki*, India’s sage, poet of poets and author of the Sanskrit-language Ramayana epic almost 2500 years ago) – their instructions made it clear that I should not in any way, especially via internet, share pictures I might take, hence this quixotic ode to an urban retreat for all, a hub for scholars still reading through the collections behind glass, an ode which I conclude without identifying the research institution by name, out of what may in part be excessive deference to their desire to control the information and image flow and in part my own wish to enhance imagined scenarios where the dream-like hush of the dark wood, tile and marble interior of the Library is central, where the books have not yet been forwarded into the digital zone.
*The names of these illustrious men adorn the library interior, not their portraits.
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