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Ambient Text
A daughter of train-commute culture, I participate in the rail dynamic in general and the Amsterdam-Paris transfer in particular with profound pleasure and some fluency – most of the time. Things got off to a bad start on one occasion, but good fortune was eventually restored, by a number of people, I should add.
The taxi which brought me to the Gare that day pulled up to the main entrance with some speed. I was on the late side and had imagined gathering my bags and setting out swiftly towards the train in an unbroken flow of motion, but this strategy involved backing out of the cab, effectively blocking from my view a small raised yellow barrier next to the taxi lane. The painted mound tripped me and I crashed bags and all, breaking the fall with my left arm.
I still wanted to catch that train, but as I shuffled off, a Porter rushed over and explained that MANY complaints had been filed about the treacherous yellow dividers. They were meant to protect pedestrians on the other side but ended up felling incoming taxi passengers. This eloquent young man of West African origin convinced me that I should at least go to the hospital next door and have my arm checked. He would escort me there after accompanying me to the ticket office to report the accident and secure passage on a later train.
I went along with the plan, and once I was seated under the neon lights of the Emergency Room waiting area, the Porter and I waved goodbye. A handsome medical team from Colombia, Algeria and Senegal x-rayed and bandaged my arm with great alacrity and good cheer - while coping with several regular 'patients' running amok in the hallways in white robes, dashing in and out of the examination rooms; harmless, it was explained, people in need of tea and attention and a place to go more than any medical treatment - and I was sent back to the Gare, supplied with a ticket for first-class and ushered onto the train with apologies and small bows. A man seated across the aisle had witnessed the fuss. He jumped up with a twinkle in his eye to help me store my luggage. A conversation began. It wasn't long before I understood that I was in the company of an International Cat Show Judge, the author of articles and books on distinctive feline breeds. In the hush of our comfortable compartment, I heard stories about the nitty-gritty of Cat Show politics as our train moved north.
I remember the jovial Cat Judge and the concerned Porter whenever I pass through the Gare du Nord. Usually I pause to get a feel of the motionless crowd and read the departure board, even though the track number for Amsterdam doesn't seem to vary. The public announcements have been updated to include an English-language health warning about flu symptoms, an audio nod, I believe, to the warm-hearted medical staff next door.

Please note: the above image is the start of a video clip; duration 00’27” (twenty-seven seconds).
A first choice would be a provincial cafe.
It could be so relaxing, so down.
So grand - a monumental
converted residence in a big country town.
The staff glides along behind a marble bar.
These North Country people are rich.
So why go here to write this?
There’s no tension-filled entrance,
when the author slips in,
looking past the regular clientele
for a place to stop,
the resident heads always tilt
in suspicion
at moments like this, and
here's where the author would get the jilt,
unaided by other-worldly messages, or intuition.
But the newcomer just eases through, surviving the swallow.
What a fantastic place for disorientation.
What can you do, when you reach
the back, which has been renovated
into a rounded wall. No corners to lean against, and
it takes up most of the hall.
No tables back here (please don’t leave the group).
There’s comfort in knowing that someone
has created this setting. It didn’t just grow here,
as just another accidental destination.
It’s merely the result of a few bad decisions.
This could have turned out differently.
You could have selected a location to write down something
you already knew,
but finding a location to write this means
you don’t sit down next to images that follow you,
the usual crowd.
Those you don’t yet know
slink in from the shadows.
They say “we’re joining you.”
There’s a formality, a propriety to it.
A little ritual all the way through it, that always
gets things going: Say hello. Say thank you. Grab a hand.
Grab something. They seduce you into staying.
You position yourself accordingly
at a reasonable distance from this place
where you have chosen to be.
You found a chair, enjoy the reprieve, but
How will you know when it’s time to leave?
I completely understood the gender confusion and appeals to Mr. Hawley, Mr. Awley, Mr. Hawkey. Especially endearing was the message for Hans M. Hawley. My middle initial is actually "M," so it was impossible to know whether this was an encroachment upon my first or middle name. For a brief period I answered the telephone with "Hello, Hans speaking" to see how far this could go, but the Hans ID didn't really stick, and took up far too much time as I carefully screened callers, hoping to connect with the person who had called me Hans. I wanted to know why this had happened, but the story fizzled out in a series of exasperated explanations, and I let it slip away. There were other lines: Hauley, Hawkey, Hawky, Halwey, Hoawley, Fawley - it's astounding how many wrong names have reached me. I accept them all.
The freshest name has now come in clear black letters on a white surface. There was no address, and I missed the sound of the small package being thrust through the door. A beautiful new envelope arrived, bearing a gift and another new family sound, reminiscent of celebrities of our times. A gerund is a wonderful thing, releasing me from the still, dense forest.
Still, even or perhaps especially, under its own sounds: http://www.boomerwolf.com/soundsmovies/single.au